Raquel Forner, born in Argentina and raised in Spain, learned painting in National Academy of Fine Arts in Buenos Aires before travelling to Paris to complete her education. She became attracted to surrealism at the outbreak of the Spanish Civil War, as she felt that surrealism’s archetypal objects and figures were the only way to convey the suffering occuring in the place of her childhood. Once World War II broke out, her landscapes became increasingly apocalyptic. However, in the 1950s, Forner found the events of the space race inspiring, and her works began to take on a more hopeful tone. She depicted a complex, imaginary future in which humans would be transformed by their exploration of space. These newly advanced humans, “astro-beings”, would then bring enlightenment to those left on earth. In her paintings, humans yet to evolve through space travel are depicted in grayscale with red threads, like an umbilical cord, connecting them back to the earth.

- C Rasmussen 9/19

Display Status

This object is not on display at the National Air and Space Museum. It is either on loan or in storage.

Object Details
Date 1969 Country of Origin Argentina Type ART-Paintings Medium Painting, oil on canvas Artist Raquel Forner
Physical Description Return of the astronauts '69; abstract interpretation; top of image shows three creatures composed of a head with four eyes, arms and waves radiating in bright colors; bottom of image contains a grey figure floating with one half of face very colorfully painted. Dimensions 2-D - In Frame (H x W x D) (In current frame): 196.8 × 131.4 × 2.7cm (6 ft. 5 1/2 in. × 4 ft. 3 3/4 in. × 1 1/16 in.)
2-D - Unframed (H x W): 194.3 × 129.2cm (6 ft. 4 1/2 in. × 4 ft. 2 7/8 in.)
Inventory Number A19750095000 Credit Line Gift of the artist Data Source National Air and Space Museum Restrictions & Rights Usage conditions apply
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