Usage Conditions May Apply Usage Conditions Apply There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page. IIIF provides researchers rich metadata and image viewing options for comparison of works across cultural heritage collections. More - https://iiif.si.edu View Manifest View in Mirador Viewer Usage Conditions May Apply Usage Conditions Apply There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page. IIIF provides researchers rich metadata and image viewing options for comparison of works across cultural heritage collections. More - https://iiif.si.edu View Manifest View in Mirador Viewer Usage Conditions May Apply Usage Conditions Apply There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page. IIIF provides researchers rich metadata and image viewing options for comparison of works across cultural heritage collections. More - https://iiif.si.edu View Manifest View in Mirador Viewer

In March 1962, James Webb, Administrator of the National Aeronautics and Space Administration, suggested that artists be enlisted to document the historic effort to send the first human beings to the moon. John Walker, director of the National Gallery of Art, was among those who applauded the idea, urging that artists be encouraged "…not only to record the physical appearance of the strange new world which space technology is creating, but to edit, select and probe for the inner meaning and emotional impact of events which may change the destiny of our race."

Working together, James Dean, a young artist employed by the NASA Public Affairs office, and Dr. H. Lester Cooke, curator of paintings at the National Gallery of Art, created a program that dispatched artists to NASA facilities with an invitation to paint whatever interested them. The result was an extraordinary collection of works of art proving, as one observer noted, "that America produced not only scientists and engineers capable of shaping the destiny of our age, but also artists worthy to keep them company." Transferred to the National Air and Space Museum in 1975, the NASA art collection remains one of the most important elements of what has become perhaps the world's finest collection of aerospace themed art.

Display Status

This object is not on display at the National Air and Space Museum. It is either on loan or in storage.

Object Details
Type ART-Paintings Medium Paper, Sketchbook Cover Artist Chrystal Jackson
Physical Description Sketchbook cover, Sketchbook Three-- The MSO, Astronaut Training, Parachute, and VAB Building / Chrystal Jackson Dimensions 2-D - Unframed (H x W): 61.6 × 45.7cm (2 ft. 1/4 in. × 1 ft. 6 in.)
Inventory Number A19781170001 Credit Line Transferred from the National Aeronautics and Space Administration Data Source National Air and Space Museum Restrictions & Rights Usage conditions apply
For more information, visit the Smithsonians Terms of Use.