Light Blue Nursery

Alma Thomas, Light Blue Nursery, 1968, acrylic on canvas, Smithsonian American Art Museum, Gift of the artist, 1970.324
Copied Alma Thomas, Light Blue Nursery, 1968, acrylic on canvas, 4947 78 in. (124.4121.5 cm), Smithsonian American Art Museum, Gift of the artist, 1970.324

Artwork Details

Title
Light Blue Nursery
Artist
Date
1968
Dimensions
4947 78 in. (124.4121.5 cm)
Credit Line
Gift of the artist
Mediums
Mediums Description
acrylic on canvas
Classifications
Keywords
  • Abstract
Object Number
1970.324

Artwork Description

The chromatic impact of Light Blue Nursery is dramatic. Small blocks of irregularly configured primary colors dance across a bright white surface in horizontal rows that echo the ordered energy of a formal garden. Secondary and tertiary hues – pinks, purples, and greens – serve as borders and accents, reflecting Thomas’s conviction that she could play with perception and optical interaction in images drawn from her visual experience of the natural world. Although seemingly constructed of spontaneous strokes of the brush, the forms, like the colors, are thoughtfully calibrated.


African American Art: Harlem Renaissance, Civil Rights Era, and Beyond, 2012
Luce Center Label

During the 1960s, African American painter Alma Thomas emerged as an exuberant colorist and member of the Washington Color Field School, abstracting shapes and patterns from the trees and flowers around her and creating works that shimmer with color. “Color is life," Thomas once explained. "Light reveals to us the spirit and living soul of the world through colors.” She produced some of her most important works in this decade, including Light Blue Nursery. The rhythmic horizontal lines of bright blues, reds, yellows, and greens are offset by white areas of untouched raw canvas, creating a jewel-like mosaic.

Exhibitions

Alma Thomas, The Eclipse, 1970, acrylic on canvas
Composing Color: Paintings by Alma Thomas
September 15, 2023June 2, 2024
The exhibition Composing Color: Paintings by Alma Thomas provides an intimate view of Alma Thomas’ evolving artistic practices during her most prolific period from 1959 to her death in 1978.

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