Puerto Rican Wedding, East Harlem, from the series Old New York

Camilo José Vergara, Puerto Rican Wedding, East Harlem, from the series Old New York, 1970, inkjet print, Smithsonian American Art Museum, Gift of the artist, 2015.55.4
Camilo José Vergara, Puerto Rican Wedding, East Harlem, from the series Old New York, 1970, inkjet print, image: 11 34 × 17 38 in. (29.8 × 44.1 cm) sheet: 15 34 × 19 58 in. (40.0 × 49.8 cm), Smithsonian American Art Museum, Gift of the artist, 2015.55.4

Artwork Details

Title
Puerto Rican Wedding, East Harlem, from the series Old New York
Date
1970
Location
Not on view
Dimensions
image: 11 34 × 17 38 in. (29.8 × 44.1 cm) sheet: 15 34 × 19 58 in. (40.0 × 49.8 cm)
Credit Line
Gift of the artist
Mediums Description
inkjet print
Classifications
Subjects
  • Architecture Exterior
  • Puerto Rican
  • Figure group
  • Cityscape — New York — New York
  • Architecture — vehicle — automobile
  • Ceremony — wedding
  • Cityscape — New York — Harlem
  • Dress — ceremonial — wedding dress
Object Number
2015.55.4

Works by this artist (20 items)

Lawrence W. Ladd, The Good Samaritan, ca. 1880, watercolor on paper, Smithsonian American Art Museum, Gift of Bates and Isabel Lowry, 1986.70.4
The Good Samaritan
Dateca. 1880
watercolor on paper
Not on view
Lawrence W. Ladd, The Creation, ca. 1880, watercolor on paper, Smithsonian American Art Museum, Gift of Bates and Isabel Lowry, 1986.70.12
The Creation
Dateca. 1880
watercolor on paper
Not on view
Lawrence W. Ladd, Burning of the Steamship Austria, ca. 1880, watercolor on paper, Smithsonian American Art Museum, Gift of Bates and Isabel Lowry, 1986.70.8
Burning of the Steamship Austria
Dateca. 1880
watercolor on paper
Not on view
Lawrence W. Ladd, Rock of Gibraltar, ca. 1880, watercolor and pencil on paper, Smithsonian American Art Museum, Gift of Bates and Isabel Lowry, 1986.70.9
Rock of Gibraltar
Dateca. 1880
watercolor and pencil on paper
Not on view

Exhibitions

Photograph of children playing in the water from a fire hydrant by Hiram Maristany
Down These Mean Streets: Community and Place in Urban Photography
May 11, 2017August 5, 2017
America’s urban streets have long inspired documentary photographers. After World War II, populations shifted from the city to the suburbs and newly built highways cut through thriving neighborhoods, leaving isolated pockets within major urban centers.

More Artworks from the Collection

Bently
Dateca. 1975
gelatin silver print
Not on view
Eugene Von Bruenchenhein, Untitled, ca. 1945-1950, gelatin silver print, Smithsonian American Art Museum, Gift of Lewis and Jean Greenblatt, 2002.86.9
Untitled
Dateca. 1945-1950
gelatin silver print
Not on view
Eugene Von Bruenchenhein, Untitled, ca. 1945-1950, gelatin silver print, Smithsonian American Art Museum, Gift of Lewis and Jean Greenblatt, 2002.86.7
Untitled
Dateca. 1945-1950
gelatin silver print
Not on view
Jared French, Margaret French, PaJaMa, Paul Cadmus, PaJaMa (Box A), ca. 1937, gelatin silver prints, Smithsonian American Art Museum, Bequest of Margaret French, 1999.98.5.16
PaJaMa (Box A)
Dateca. 1937
gelatin silver prints
Not on view