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ROYAL MUSIC COLLECTION. Astorga (Emanuele D’), Baron. Cantatas; 18th century. Vol.II. A collection of 40 cantatas for 1 and 2 voices, with bass (occasionally figured) only, in score, consisting of recitative and aria. [For Volume I of this set of can..., 18th century
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CANTATAS by Emmanuele, Baron d'Astorga. Paper; ff. 55. xviiith cent. Obl. Folio.Baron Emanuele d' Astorga,; composer: Cantatas: 18th cent., 18th century
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1. " MOTTETTO a canto solo con violini e oboe," and " Nisi Dominus [Ps. cxxvii.] a 5, con violini," by G. F. Handel. Latin. Composed apparently for the Colonna Family for performance at Rome on the festival of the Madonna del Carmine. ff. 1, 80. 2. "..., 18th century
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CANTATAs, by the Baron Emanuel D'Astorga. xviiith cent. Oblong Quarto. [14,216.]Baron Emanuele d' Astorga,; composer: Cantatas etc., 18th century
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1. CANTATA by Emmanuele, Baron d'Astorga; Mantua, 1709. f. 2 2. Five arias, in full score, by B. Galuppi. f. 8.3. Aria, in full score, by [Giovanni Battista?] Borghi. Autograph f. 33. 4. Six duets, with harpsichord accompaniment, by Bonifazio Asioli ..., 18th century-19th century
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CANTATAS, for a soprano voice, by Aless. Scarlatti, Ben. Iifarcello, Giuseppe Montulli, Nic. Porpora, Salvatore Rispoli, Emanuel d'Astorga, Diog. Biaaglia, Carlo Cesarini, etc. xviiith cent. Oblong Quarto. [14,225.]Alessandro Scarlatti, composer: Can..., 18th century
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CANTATAs, by Benedetto Marcello, Aless. Scarlatti, Nic. Porpora, Franc. Mancini, Fr. Ant. Pistocehi, Ant. Bononcini, Em. D'Astoraa, Ant. Pollaroli, Geo. Fr. Handel ' and Giacomo Ant. Perti. xviiith cent. Oblong Quarto. [14,215.]Alessandro Scarlatti, ..., 18th century
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Vol. II, ff. i + 80, xviii centBaron Emanuele d' Astorga,; composer: Songs and duets: 18th cent., 18th century
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A COLLECTION of Airs, Cantatas, and Duets, by Nicolò Zingarelli, Giuiseppe Millico, the Baron Emanuel d'Astorga, Gaetano Cafarelli, Orazio Gravinna, Angelo Monticelli, Giovani Giorgio, Giovanni Battista Peseetti, Gaspare Spano, -Gierosa, Giovanni Ve..., 18th century
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CHURCH Music in score, chiefly in the hand of Vincent Novello, viz. :-1. Responses and a setting of part of Psalm cxix., by Thomas Tallis. 2. "Prevent us, O Lord": anthem, by William Byrd. f. 12. 3. Services and anthems, by Dr. Orlando Gibbons, prece..., 19th century
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Sir Herbert Mackworth Collection of Opera Scores, 1600-1899
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1. MAGNIFICAT for eight voices and two orchestras by G[iovanni] A[ndrea] Fioroni. Autograph? Full score. f. 1. 2. Church-cantata, "Mein Odem ist sehwach," by J[ohann] E[rnst] Bach for soli and choir, with accompaniment of strings and continuo. f. 21...., 18th century
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NOVELLO COLLECTION. Vol. XCVI. Mostly sacred vocal music; after 1803 (watermark)-1843, n.d. Full, vocal or chorus scores, or instrumental parts. Partly autograph. Some copies in the hand of, and with accompaniments arranged by, Vincent Novello. ff. 7..., 1803-1862
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CANTATAs, by Giovanni Adolfo Hasse, Carlo Arrigoni, Alessandro Scarlatti, Diogenio Bigaglia, Giovanni Bononcini, Emanuel D'Astorga, Francesco Mancini, Nicolò Porpora, Antonio Lotti, and Francesco Gasparini. xviiith cent. Oblong Quarto. [14,213.]Anton..., 18th century
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Vol. I, ff. i + 183, xviii centBaron Emanuele d' Astorga,; composer: Songs and duets: 18th cent., 18th century
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CANTATAS by Giovanni Battista Buononcini, Mare Antonio Buononcini, Agostino Steffani, Baron Emanuele d'Astorga, Francesco Mancini, Alessandro Scarlatti, and Francesco Gasparini. Paper; ff. 136. xviiith cent. Oblong Folio., 18th century
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1. "MESSA canonica," for 4 unaccompanied voices, in score, by Johann Joseph Fux; 1718. Presented to Ambros Rieder, in 1824, by Ferdinand Schubert. f. 1. 2. Hymn for 4 voices, with violins, etc., in parts, by the same. f. 15. 3. "Crucifixus," for 3 vo..., 18th century-19th century
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ROYAL MUSIC COLLECTION. Astorga (Emanuele D’), Baron. Cantatas; 18th century. Vol.I. A collection of 25 cantatas for solo voice, with figured bass (except where otherwise stated), consisting of recitative and aria, in score. [For Volume II of this se..., 18th century
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CANTATAs, by the Baron D'Astorga, Giovanni Adolfo Hasse, Franc. Mancini, and Nic. Porpora. xviiith cent. Oblong Quarto. [14,214.]Giovanni Adolfo Hasse, detto Il Sassone: Cantatas.Nicola Porpora, composer: Cantatas.Francesco Mancini, composer: Cantata..., 18th century
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ROYAL MUSIC COLLECTION. Astorga (Emanuele D’), Baron. Stabat Mater; 18th century. Setting for solo voices and 4-part chorus; with symphonies and accompaniment for strings and figured bass for organ, in score. [For other copies see R.M.22.a.7. and R.M..., 18th century
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CANTATAS, and a few duets and terzets, with occasional instrumental accompaniment, chiefly by Giovanni Domenico Pacini, Alessandro Melani, Alessandro Scarlatti, Giovanni [Maria?] Buononcini, Alessandro Stradella, Gregorio Cola, Emmanuele, Baron d'Ast...
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CHANDOS MUSIC MANUSCRIPTS. Vol. IV. Volume of Cantatas, labelled 'Basso Continvo' on the front cover. Partly Italian. ff. i+66. Binding of dark red leather, gilt-ruled and stamped and labelled in blue leather. 275 x 422mm. 1. ff. 1-10v. J. C. Pepusch...
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CANTATAS for a soprano voice, by Aless. Scarlatti, Giov. Bat. Pergolesi, Leon. Leo, Nic. Porpora, Ant. Caputi, Dion. Bigaglia, Vincenzo Panza, Em. d'Astorga, Tomaso di Mauro, Carmine Giordano, Giov. Adolfo Hasse, Tomaso Carapella, Franc. Mancini, and..., 18th century
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ROYAL MUSIC COLLECTION. Astorga (Emanuele D’), Baron. Stabat Mater; 18th century. Setting for solo voices and 4-part chorus; with symphonies and accompaniment for strings and figured bass for organ, in score. [For other copies see R.M.24.b.12. and R...., 18th century
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ITALIAN CANTATAS: twenty-nine Italian cantatas for solo voice (soprano clef) and continuo, copied in one hand; [circa 1750?]. Formerly owned by Maria Ducarel, recorded (f. ii verso) as a gift to her from George Henry Lee, 3rd Earl of Lichfield, in 17..., approximately 1750
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(1-2.). ROYAL MUSIC COLLECTION. Astorga (Emanuele D’), Baron. Vocal music; 18th century.Paper.1. 12 ff. Risolvo e voglio amar. Cantata, with recitative; with symphonies and accompaniment for strings with figured bass.2. 38 ff. Stabat Mater. Setting f..., 18th century
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